CD/Music Review: Christina Aguilera: Back to Basics

 

Back to Basics, released in 2006, is a two-disc album by Christina Aguilera. It contains 22 tracks in all, 13 on the first disc and 9 on the second. It also has a bonus video track. It is her fifth studio album and was her first in three years, following 2002's Stripped. On it, Aguilera continued to assert more control over her music, acting as a producer on the album and co-writing all of the tracks, many of which with Linda Perry. 

Most of the songs on the album use samples from other songs. While the album is still a pop album, it is not all bubblegum kid-oriented pop. The songs have more mature, adult themes that reflect her being older and having gotten married. Like her prior albums, this mixes pop, R&B, hip-hop, and soul, and also incorporates swing and jazz elements. It has a mix of dance numbers and ballads that highlight Aguilera's vocal range. Only a few songs from the album were released as singles, of which the songs Ain't No Other Man and Candyman were the biggest hits. 

The CD liner features many pictures of Aguilera with the production notes and lyrics printed over them, and a thank-you note on the final page. Ultimately, the album is good, despite not having as many big hits as her prior albums. It has a good mix of songs, many of which are worthy of inclusion on a pop playlist. If you liked her prior albums, this is worth listening to.

CD/Music Review: Christina Aguilera: My Kind of Christmas

 

My Kind of Christmas, released in 2000, is Christina Aguilera's third studio album. The album contains 11 tracks in all, primarily covers of older, and more traditional Christmas songs like Angels We Have Heard on High, The Christmas Song, Have Yourself a Merry Little Christmas, and O Holy Night. Still, it does have some that sound more like dance tracks popular at the time, like Xtina's Christmas. The CD liner contains production notes and the lyrics for each track. Of course, the quality of Christmas music released by pop stars, especially younger stars (as Aguilera was at the time), can vary greatly. 

While some critics lambast this album as overproduced, it is much better than it gets credit for. There are a couple of songs I wouldn't include on a Christmas playlist, but overall, it is enjoyable and worth listening to. While it is nowhere near the level of the Christmas albums released by the "crooners" like Nat King Cole, Bing Crosby, Perry Como, and the like, it is much better than many Christmas songs and albums being released by late '90s and early '00s pop stars. 

CD/Music Review: Christina Aguilera: Stripped

 

Stripped, released in 2002, is the fourth studio album by Christina Aguilera. It was created during the period when Aguilera was attempting to shed her bubblegum pop teen persona, which led to her taking more control over her music and significantly altering her public image. The album includes 20 tracks (some of which are very short interludes as opposed to full-length songs), five of which ("Dirrty," "Beautiful," "Fighter," "Can't Hold Us Down," and "The Voice Within") were released as singles and achieved varying levels of success on the major charts. The songs on the album tended to touch on more adult themes than the songs on her first two albums, like love and sex, being in an abusive relationship, fighting through tough times, and the concepts of feminism and misogyny. The songs on the album incorporate elements from various genres, including pop, rap, R&B, rock, hip-hop, Latin, and soul, and feature a mix of songs ranging from upbeat dance numbers to ballads.

The CD liner includes pictures, lyrics, and production notes for each track, as well as several pages of thank-you notes. The wording is very hard to read because the text is tiny and printed in white against a silver background. Even if your eyes are relatively good, you have to hold the liner right up to your nose to read it. The album is good overall, although some songs are definitely better than others. It has an eclectic enough mix of songs that chances are, if you are a fan of late '90s/early '00s pop, you will like one or more songs on the album. The album marked a significant shift for Aguilera, and, of course, introduced her more mature and sexual "Xtina" persona, which she still occasionally showcases. While the album will not appeal to everyone, if you are a fan of Aguilera's music, it is worth listening to, and some of the tracks are definitely worth adding to a pop-oriented playlist.

CD/Music Review: Christina Aguilera: Mi Reflejo

 

Mi Reflejo, released in 2000, is the second studio album by Christina Aguilera. It was recorded entirely in Spanish and included 11 tracks in all. It included Spanish-language versions of five tracks from her self-titled debut album (Genie in a Bottle, Come on Over Baby (All I Want is You), I Turn to You, What a Girl Wants, and Reflection), four original tracks, and two covers. 

The CD liner includes pictures of Aguilera, lyrics, and production notes for the tracks, and a thank-you note (all written in Spanish). As with the first album, some of the tracks showcase Aguilera's vocal range, but overall, like her debut album, this is mostly a bubblegum pop album. She can get a bit overzealous with hitting high notes, much like Mariah Carey, which can be a bit annoying.  Ultimately, if you were a fan of her debut album, you will most likely enjoy this one. 

CD/Music Review: Christina Aguilera

 

Christina Aguilera's self-titled debut album was released in 1999. It contains 12 tracks, including the hit singles "Genie in a Bottle," "What a Girl Wants," "Come on Over Baby (All I Want is You)," and "I Turn to You." The first three reached number one in the US, and the last one reached number three. The album blends pop, R&B, and hip-hop, featuring a mix of upbeat dance numbers and ballads.  

The CD liner includes lyrics and production notes for each track, interspersed with pictures of Aguilera, and ends with a thank-you note. The album definitely falls squarely in the realm of teen pop, but also showcases Aguilera's vocal range and talent, which was much stronger than that of other pop stars of the era. Although it is now 25 years old, the album holds up fairly well over time. Chances are, most people who will be interested in the album now are those who were teenagers or in their early to mid-20s when the album was first released. However, if you are a fan of late '90s/early 2000s pop, this is worth listening to.